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Bio
Since graduating with an MFA in painting from UCLA in 1994, Doug Harvey has written extensively about the Los Angeles and International art scenes and other aspects of popular culture, primarily as the art critic for
LA WEEKLY
, the largest circulation free weekly newspaper in America, and
Art issues
, the highly respected LA-based journal of art and contemporary culture, which ceased publication in 2002. His writing has also appeared in
Art in America
,
The New York Times
,
Modern Painter
,
ArtReview
, and numerous other publications. He has written museum and gallery catalogue essays for Jim Shaw, Jeffrey Vallance, Camille Rose Garcia, Tim Hawkinson, Don Suggs, Lari Pittman, Georganne Deen, Rick Griffin, Gary Panter, Margaret Keane, Big Daddy Roth, Thomas Kinkade, Basil Wolverton and many others.
Harvey’s curatorial projects have ranged from many traditional gallery exhibitions (including the
First
(2005) and
Third
(2007/08)
Annual LA Weekly Biennials
at Track 16 Gallery in Los Angeles,
Don Suggs: One Man Group Show
at OTIS (2007 - co-curated with Meg Linton),
Heart and Torch: Rick Griffin’s Transcendence
at Laguna Art Museum (2007 - co-curated with Greg Escalante) and the recent
Aspects of Mel’s Hole: Artists Respond to a Paranormal Land Event Occurring in Radiospace
at Santa Ana’s Grand Central Art Center) to CD compilations of sound art, programs of found and experimental films, performance events, experimental radio, artist’s comic books and zines (including
Less Art
which continues to be published sporadically, and most recently was transformed into a cable access television series pilot), and an LA solo gallery exhibit determined by raffle. He has also been part of the curatorial collective creating the exhibition content and design at the
Museum of Jurassic Technology
in Culver City, CA. Mr. Harvey also continues to maintain an active art career, exhibiting his visual art (painting-based multimedia) locally and internationally, and participating in international experimental sound, radio, and film communities, as well as regularly teaching in both studio practice and art theory contexts. His diverse oeuvres were recently the subject of the survey exhibition
Untidy: The Worlds of Doug Harvey
at LA Valley College. He lives and works in Los Angeles.
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